They are also the heroes. In a tender scene from “1994,” when Sam finally stops denying his feelings for Deena moments before the premiere becomes possessed, Deena makes a crucial wish to Sam. feel like I have another chance with you, ”she told him. “I’m not going to lose you anymore. Because you and I are the exit.
This simple statement is often heard with horror, but it is usually spoken by a man to his female love interest. In “Fear Street,” the promise of a future seems more important: she signals a change that demands that Deena be sent back to 1666. There, as Sarah Fier, the queer woman who was persecuted as a witch and hanged Because of her love for another woman (also played by Welch), she can seek justice against the same kind of hatred and violence that separates Deena and Sam these days.
In “1666” Janiak wanted to emphasize the idea that the women who were accused of being witches at the time were the ones who just didn’t fit the norm.
They were called witches “because they were different, because they looked at the other girl for too long, or because they didn’t want to get married,” she said. “They weren’t aligned with societal lines.”
Ultimately, the animosity humanity displays – as with Solomon (also played by Zukerman) rallying an entire city to persecute Sarah in “1666” – is just as deadly as a witch’s curse, if not more. . It allowed Janiak to look beyond supernatural fears to examine the evils of our neighbor. “For me it’s always the scariest thing,” Janiak said. “I thought it was a great opportunity that we could visit some crazy genre villains, but eventually come up with this underlying thing of ‘Who’s the real monster here? “”
Ultimately, the “Fear Street” movies are ambitious – although there is obviously a lot of carnage along the way. Deena and Sam help save the city, but more importantly, they preserve their love for each other. “The trilogy allowed us to give a little bit of hope which I think doesn’t usually exist in horror movies,” Janiak said, and with a laugh added, “When you’ve got that an hour and a half, you just killed everyone, but the cinema experience has allowed us to push and question and change things up a bit.
And it was necessary.